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Everyone is totting and tallying and ranking up the past decade, and even though this blog has been dormant for a while, I felt like now was a good time to take stock and join in the fun. My decade started with a move, and that theme continued with a total of 15 moves in the last 10 years, some across town, some across country, and even a couple across the sea. I am pleased to say that I finally have almost all of my books unpacked again for the first time in at least 6 years. And in reviewing my shelves, I do have a list of books that I would love more people to discover (and hopefully love as much as I do). I make a conscious effort to avoid a lot of “what’s hot” (because those books don’t need more attention, and if they are actually good, I will get to them eventually – as I did with Spinster and The Empathy Exams, several years after they were published). I have made separate lists for fiction, short stories, kids books, and nonfiction. My lists contain books that I read this decade, but there are a few that might not have been published this decade.  Because of all the moving and my overwhelming workloads, you’ll may notice some major titles missing. I’ll try to get to them in the next decade. I’ve picked the books that have stuck with me the most over the last 10 years. Here we go:

Fiction (in no particular order)

Who Was Changed and Who Was Dead – Barbara Comyns (Dorothy)

The Tenants of Moonbloom – Edward Lewis Wallant (NYRB)

The Dig – Cynan Jones (Coffee House Press)

Varamo – César Aira, trans. Chris Andrews (New Directions)

Oreo – Fran Ross (New Directions)

Train Dreams – Denis Johnson (Picador)

No One Writes Back  – Jang Eun-Jin, trans. Jung Yewon (Dalkey Archive Press)

Grief is the Thing with Feathers – Max Porter (Faber & Faber)

A Far Cry From Kensington – Muriel Spark (Virago)

Mr Gwyn – Alessandro Baricco, trans. Ann Goldstein (McSweeney’s)

Convenience Store Woman – Sayaka Murata, trans. Ginny Tapley Takemori (Grove)

The Adjustment League – Mike Barnes (Biblioasis)

Gold – Dan Rhodes (Canongate)

Life Embitters – Josep Pla, trans. Peter Bush (Archipelago)

Uprooted – Naomi Novik (Del Rey)

Annihilation – Jeff Vandermeer (Farrar, Straus, and Giroux)

Spilt Milk – Chico Buarque, trans. Alison Entrekin (Grove)

The Faster I Walk the Smaller I Am – Kjersti Skomsvold, trans. Kerri A. Pierce (Dalkey Archive Press)

Angelmaker – Nick Harkaway (Alfred A. Knopf)

The Gallows Pole – Benjamin Myers (Bluemoose Books/Third Man Books)

The City of Bohane – Kevin Barry (Jonathan Cape/Vintage)

Life After Life – Kate Atkinson (Bond Street Books/Back Bay Books)

Eleven Prague Corpses – Kirill Kobrin, trans. Veronika Lakatova (Dalkey Archive Press)

The Palace of Dreams – Ismail Kadare, trans. Barbara Bray (Arcade)

The Logogryph: A Bibliography of Imaginary Books – Thomas Wharton (Gaspereau Press)

Short Story Collections (in no particular order)

The Redemption of Galen Pike – Carys Davies (Biblioasis)

The Man Who Walked Through Walls – Marcel Aymé, trans. Sophie Lewis (Pushkin Press)

Diving Belles – Lucy Wood (Bloomsbury)

Thunderstruck and Other Stories – Elizabeth McCracken (The Dial Press)

The Girls Guide to Hunting and Fishing – Melissa Bank (Penguin)

Lonesome You – Park Wan-Suh, trans. Elizabeth Haejin Yoon (Dalkey Archive Press)

 

careyKids Books/YA (in no particular order)

The Iremonger Trilogy (Heap House/Foulsham/Lungdon) – Edward Carey (Hot Key Books/Harry N. Abrams)

Dust – Arthur Slade (Harper Trophy)

Seer of Shadows – Avi (HarperCollins)

The Book Thief – Markus Zusak (Alfred A. Knopf)

The Fault in Our Stars – John Green (Dutton Books)

A Monster Calls – Patrick Ness (Candlewick Press)

 

Nonfiction (in no particular order)

Virginibus Puerisque & other essays – Robert Louis Stevenson (Chatto & Windus) (go browsing secondhand bookshops for this one. A cheap paperback won’t cut it.)

Invisible Women: Data Bias in a World Designed for Men – Caroline Criado Perez (Harry N. Abrams)

Stet: An Editor’s Life – Diana Athill (Granta)

Spinster: Making a Life of One’s Own – Kate Bolick (Crown)

The Long-Winded Lady – Maeve Brennan (Stinging Fly Press)

A Small Place – Jamaica Kincaid (Plume/FSG)

The Odd Woman and the City – Vivian Gornick (Farrar, Straus, and Giroux)

Bookshops: A Reader’s History – Jorge Carrión, trans. Peter Bush (Biblioasis)

H is for Hawk – Helen Macdonald (Jonathan Cape/Grove)

The Empathy Exams – Leslie Jamison (Graywolf Press)image1 (1)

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Better late than never, because life often gets in the way of blog post schedules.

H&O

A few years ago, a friend of mine, Michael Hingston, had a brilliant idea to make a Short Story Advent Calendar (SSAC) for Christmas 2015. That first calendar was a thing of beauty designed by Natalie Olsen and edited by Mike. The great thing about the calendar is that it contains classic stories, established authors, and writers just getting started in their careers (and often a local writer or two for good measure). I like to think I played a small part in the continuation of that enterprise by passing a copy on to comedian Patton Oswalt, who I had come to know over Twitter through our mutual love of books, scotch, strong tea, and saltines. Patton loved the SSAC and last year, in addition to the SSAC 2017, Hingston and Olsen (by then an official publishing house) worked in collaboration with Patton Oswalt to put out The Ghost Box, a Halloween advent calendar of 13 individually bound spooky stories that was so pretty it won an Alcuin Society Award for Excellence in Book Design in Canada.

 

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I first met Mike in 2013 when he was writing the books column for the Edmonton Journal and I had suggested to the MacEwan Book of the Year Committee that he would be an excellent candidate to interview Michael Ondaatje when he came to town to do a public reading of The Cat’s Table as part of the Book of the Year celebrations. We had known one another virtually for a little while because local book nerds do find one another on Twitter. Mike was an astute reviewer, and also happens to be a big fan of literature in translation, like me, so we got along like a house on fire.

 

Mike has been writing for a number of years and has published in Wired, The Washington Post, and The Atlantic. His debut novel, The Dilettantes, came out from Freehand Books in Calgary in 2013. (I got a hot tip that you can now order signed copies from Mike while supplies last, just go to his website.) Mike has just published his first non-fiction book at ECW Press (one of Canadian independent publishing’s old guard, in business since 1974). Let’s Go Exploring: Calvin and Hobbes is an investigation into the history of Bill Watterson’s beloved comic strip and what it says about the power of imagination. It’s a great read.

 

 

 

 

 

I’m sure Hingston and Olsen are hard at work on SSAC 2018—and who knows what else they have up their creative sleevesbut be sure to watch their Twitter feed (@hingstonolsen) and website later this fall for updates. The calendars usually sell out pretty quickly, so make sure to get your order in early (and order more than one, because it’s a great gift for the book lovers in your life!).

 

The other thing I want people to take away from this post is the importance of community and connection. Mike is a great example of the kind of person who does well not just because of his talent (which he has in spades), and his hard work (which it exhausts me to even think about), but because he is an active and positive member of the literary community who understands the importance of community (between authors, readers, publishers, booksellers). Mike has supported indie publishers, local bookshops, other writers and their projects (like the very cool YEGWORDS coffee sleeve project from Jason Lee Norman (@bellyofawhale), and readers in whatever way he can (whether that be through book swaps/donations, reviews, social media, etc.). Enthusiasm and encouragement are an important part of the literary community, especially in one as toxic as the current CanLit scene. So, I want to spend the summer lifting up what I love, sharing, making connections, and creating community.

 

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bookshopsamazonWhile most of this project will focus on fiction, I’m going to kick it off with one of my favourite nonfiction titles (and an essay) particularly relevant to the topic at hand. Bookshops: A Reader’s History by Jorge Carrión was published by Biblioasis in 2017, and hit shelves just after I left my post there as the Director of Marketing. (Humblebrag: contributing the subtitle for the North American edition was one of my proudest moments in publishing so far). Carrión’s book, in Peter Bush’s excellent translation from the Spanish, is one of those remarkable reads that somehow both satiates and stimulates the mind. The book is an intelligent and charming combination of travelogue, manifesto, and love letter. Reading it makes you want to visit bookshops in other cities and countries, exchange anecdotes and recommendations with the author, and fight the forces threatening to destroy these incredible spaces of social, cultural, and intellectual community.

 

And, of course, it makes you want to read more. I had to have a pen and notepad handy when reading so I could add titles to my TBR list, or make notes about things I wanted to read up on. I found the behavioural contradiction inspired by the book hilarious and frustrating: I wanted to get up and go traveling to bookshops both near and far, but I also wanted to snuggle in and keep reading Bookshops and do some deep-dive reading on all those wonderful ideas and new reading recommendations I had from within its pages. It was almost like those wonderful chats you have with people sometimes, where you follow one another down the “Have you read…?” rabbit hole. That was my favourite part of being a bookseller, the increased frequency of that rabbit hole and the joy everyone had falling down it.

 

Here are just three of the books added to my collection after reading this one. All three of these authors were already represented on my shelves, but these books were sought out specifically because of what Carrión said about them in his book. I’ve often wanted to map my books autobiographically, a project far beyond practicality now, but these small connections are satisfying. Two were purchased from Biblioasis bookshop (Biblioasis was a bookshop first, and in 2004 became a publishing house thanks to the determination and will of the intrepid Daniel Wells) and the Kiš was a lucky find in an amazing secondhand shop—Alhambra Books—here in Edmonton. Notice they are also mostly indie publishers:

 

 

 

Given the subject matter of Bookshops: A Reader’s History, it can come as no great surprise that Carrión is not a fan of the big bad Bezos and his Amazonian empire (what decent human being is, really?). Carrión’s essay, Against Amazon: Seven Arguments/One Manifesto, (also translated by Peter Bush)—printed as a chapbook by Biblioasis and posted later at LitHub—is a great companion piece to Bookshops: A Reader’s History (and more support for my lecture in the SIPS launch post). The chapbook made a big splash with indie booksellers and at the Frankfurt Book Fair, as Publishers Weekly reported. For anyone who still needs convincing that Amazon is not the right place to spend money ever, the essay makes a good case.

 

But I think the book makes an even better one. Why? Because the shops Carrión writes about have individuality, history, purpose, and his book makes you want to be a part of that. Reading this book makes people want to become part of the community created by bookshops, by the immediacy of the connection between author, publisher, bookseller, and reader in those spaces (through books, or shared knowledge/experiences/desires, or events), and by the special knowledge and personalized touch those stores can provide. While a local shop might not be able to guarantee delivery in 24 hours, it can guarantee you the space to explore, and the booksellers who know the literary landscape and who can recommend your next favourite read with much greater success than any algorithm ever will because they also know you as a reader and a person, not just a consumer. In this culture of instant gratification, a little patience is a good thing. It allows room for desire. I just got a phone call from my local shop (Audreys) about 3 special orders that are in from the UK that I have been waiting almost 8 weeks for. And I am so stoked to go pick them up!

 

Indie bookshops are the best place for indie publishers to find their champions in booksellers, because otherwise their titles are drowned out in the algorithmic noise and the clamour for bestseller status.There is no room for individuality in Bezos’s algorithmic future, which is why the big publishing houses are now all chasing trends and not good literature (if I ever see another blurb declaring “the next Gone Girl,” I’m burning it all down). But the individuality, history, and purpose of indie bookshops perfectly suits the indie publisher. It’s also why indie publishers matter. They take risks. They’re interesting. They are a glitch in the matrix—a commercial enterprise with a cultural heart. Each indie publishers list has a distinct editorial flavour because at a small press every project has to be a passion project. I’ll be writing more about those passion projects as the summer continues, and I’ll be returning to Biblioasis for a closer look at some of their fiction in a later post. But, in the meantime, if you are looking for an intellectual, charming, and engaging read by a kindred spirit, look no further than Jorge Carrión’s Bookshops: A Reader’s History. Happy reading!

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SIPS

Happy Summer Solstice! On this longest day of the year and first day of summer, I am kicking off my latest reading project—Support Indie Publishers Summer (or #SIPS in hashtagese). Inspired by my love of indie publishers and my need to tackle some of my TBR in earnest (and also my impending unemployment, which will give me the free time to read and blog about great books—although hot tips on publishing jobs are most welcome), I will be blogging and tweeting about what I read and also including some features on publishers or more in-depth analyses of books or stories that I love. I encourage everyone to seek out books from independent publishers this summer, and if you can’t buy them direct from the publisher, please buy from a local or nearby independent bookshop or borrow from the library.

Here follows the lecture portion of this blogpost: The whole point of a project like this is to support independent business. Corporate chains selling yoga mats and home décor with books on the side or evil online monopolies run by inhumane gazillionaires are not businesses anyone should support. Ordering direct from an indie publisher or an indie bookshop might cost a bit more in shipping or take a little longer to arrive, but the satisfaction of knowing that your dollars are deeply appreciated and are going back in to the local independent arts and culture economy is worth it.

So, today, I’m just going to encourage you to visit the websites of some of my very favourite indie publishers and browse around and perhaps do a little shopping to get ready for #SIPS. I can’t possibly list all the publishers I’ll mention this summer (mostly because I’m bound to forget someone crucial), and I’m not going to recommend any books to you at this point, because I want you to explore and find the books that appeal to you. I’ll evangelize about my faves later. I do want to hear from people about what indie published books they’re reading this summer, and if you are blogging or tweeting about things, let me know and I’ll boost the signal. In any case, here is a starter list, to be amended as the summer wears on, of the publishers whose books I will definitely be chatting about. There’s a mix of Canadian, American, Irish, and UK-based publishers here, as well as English language and translation-focused publishers.

And Other Stories

Archipelago Books

Biblioasis

Blue Moose Books

Canongate

Catapult

Coach House

Coffee House Press

Dalkey Archive Press

Deep Vellum Press

Dorothy

Feminist Press

Galley Beggar Press

Gaspereau Press

Granta

Graywolf Press

Hingston & Olsen

Lilliput Press

McSweeney’s

Melville House

New Directions

New Island Books

New York Review of Books

Open Letter Press

Pushkin Press

Salt

Small Beer Press

Soft Skull Press

The Stinging Fly

Tin House

Tramp Press

Transit Books

Two Dollar Radio

Wakefield Press

I promise at least weekly posts (I am busy job hunting, after all), and will post more frequently when I am able. Here we go. Happy reading!

 

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SIPSAfter one of the most interminable winters (no, seriously) filled with very little recreational reading and a lot of terrible undergrad essays, I have decided that I am going to spend my impending unemployment (btw, I’m looking for a job in publishing… pass it on!) catching up my TBR list (just kidding — it’s as interminable as an Edmonton winter). I’ve noticed lately that several of my favourite indie presses have been struggling or running fundraising campaigns so that they can continue to do the vital work that they do. So, from June 21 to September 22, I am going to dedicate this blog (which has long been in hibernation) to writing about great books from indie presses that you should read. I’ll be tweeting about the books with the hashtag #SIPS (which, let’s face it, acknowledges the other main activity of the summer that will accompany my reading). I’ve yet to settle on the details of the approach (which was originally going to be a publisher a week, but then I realized I couldn’t squeeze all my lovely favourites in!), so it will probably be seat-of-the-pants, as per usual. So, I’d love it if you all would join me in spreading the love for indie presses this summer. (And also, I obviously just want to snoop what you are reading). More to come next week!

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varamo-gwyn-copy

This blog has been sadly neglected of late, as a return to grad school and a sudden job offer in publishing necessitated two cross-country moves in 12 months. But I couldn’t miss out on posting for International Translation Day, even if just to post a list of some of my favourite translations in recent (and not so recent!) years. I’ll stick with perhaps some lesser known authors and mainly indie presses. There’s some linguistic variety here (Korean, Turkish, Norwegian, French, Italian, Czech, Bulgarian, Icelandic, Russian, Angolan Portuguese, Catalan, Spanish…), but I’m doing this without the benefit of having my bookshelf nearby (sadly it is 4,000 km to the left of me), so these are the off-the-top of-my-head, less-obvious picks (besides the usual faves Borges, Saramago, Gogol, Kafka… you know the drill), and I’m certainly forgetting some great reads. Feel free to comment and recommend some of your own faves to me, as I do love an infinite TBR list!

  1. Mr. Gwyn by Alessandro Baricco (McSweeney’s)
  2. No One Writes Back by Eun-Jin Jang (Dalkey Archive Press)
  3. The Man Who Walked Through Walls by Marcel Aymé (Pushkin Press)
  4. The General Theory of Oblivion by José Eduardo Agualusa (Archipelago Books)
  5. The Tuner of Silences by Mia Couto (Biblioasis)
  6. Collected Stories by Clarice Lispector (New Directions)
  7. Spilt Milk by Chico Buarque (Grove Press)
  8. The Faster I Walk, The Smaller I Am by Kjersti Skomsvold (Dalkey Archive Press)
  9. Too Loud a Solitude by Bohumil Hrabal (Harcourt)
  10. Varamo by César Aira (New Directions)
  11. The Story of My Teeth by Valeria Luiselli (Coffee House Press)
  12. The Garden of the Departed Cats by Bilge Karasu (New Directions)
  13. The Goddess of Fireflies by Geneviève Petterson (Esplanade)
  14. Granma Nineteen and the Soviet’s Secret by Ondjaki (Biblioasis)
  15. Life Embitters by Josep Pla (Archipelago)
  16. The Party Wall by Catherine Leroux (Biblioasis)
  17. The Club of Angels by Luis Fernando Verissimo (New Directions)
  18. Eleven Prague Corpses by Kirill Kobrin (Dalkey Archive Press)
  19. Circus Bulgaria by Deyen Enev (Portobello)
  20. The Blue Fox by Sjon (FSG)
  21. The Street of Crocodiles by Bruno Schulz (Penguin Classics)

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Last year, as you may recall, I let loose a rather impassioned rant about the Man Booker International Prize. Well, it appears that someone somewhere heard my cries. The Man Booker International Prize short list was announced today, and it is a thing of beauty. Of the 10 finalists, 8 are authors who write in languages other than English, and TWO of the authors (Couto and Aira) actually appeared as suggestions in my original angry post. (Coincidence? I think not!) So, I’m totally taking the credit for the fact that this year we have the pleasure of being introduced to more non-English writers, less familiar names, and I’m pleased that even the names I’m already familiar with aren’t really household names and are entirely deserving of a more global readership. Deep gratitude goes to the judges this year for saving a prize that I had almost given up on! Well done Marina Warner, Nadeem Aslam, Elleke Boehmer, Edwin Frank, and Wen-Chin Ouwang. You have redeemed the Man Booker International Prize, and brought English readers a treasure trove of new authors to explore. I look forward to reading books from each of the authors on this short list, and am actually excited for an award announcement for the first time in a very long time!

The Man Booker International prize short list, with some notes on what I’ve got on the shelf. I’m so excited to have new authors to discover!
• César Aira (Argentina) – My favourite (so far) is Varamo, but really, anything Aira writes is gold.

• Hoda Barakat (Lebanon)

• Maryse Condé (Guadeloupe)

• Mia Couto (Mozambique) – My favourite is The Last Flight of the Flamingo, and I’m looking forward to getting to The Tuner of SIlences.

• Amitav Ghosh (India) – The Sea of Poppies sits on my shelf, waiting for me to have time…

• Fanny Howe (US)

• Ibrahim Al-Koni (Libya)

• László Krasznahorkai (Hungary) – I’ve read bits of The Melancholy of Resistance and it is amazing, but then, I haven’t had the time to tackle Satantango yet, which I hear is a masterpiece…

• Alain Mabanckou (Democratic Republic of the Congo) – I’ve had Broken Glass on my TBR since 2010, but have yet to order it in. That makes it #1 on the pile.

• Marlene van Niekerk (South Africa)

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In celebration of International Women’s Day, I would like to recommend 25* (okay, now 30 because I decided to add non-fiction and poetry) of my favorite women writers from around the globe:

Jang Eun-Jin – No One Writes Back

Barbara Comyns – Who Was Changed and Who Was Dead

Claudia Rankine – Citizen: An American Lyric

Assia Djebar – A Sister to Scheherazade

Elizabeth McCracken – Thunderstruck and Other Stories

Fatima Mernissi – Dreams of Trespass

Jacqueline Baker – The Broken Hours; The Horseman’s Graves; A Hard Witching and Other Stories

Ahdaf Soueif – A Map of Love

Mary Swan – The Boys in the Trees

Valeria Luiselli – Faces in the Crowd

Nuala Ní Chonchúir – Mother America

Kjersti Skomsvold – The Faster I Walk, The Smaller I Am

Alissa York – Effigy

Park Wan-Suh – Lonesome You

Tiffany Murray – Diamond Star Halo; Sugar Hall

Aglaja Veteranyi – Why the Child is Cooking in the Polenta

Jenny Offill – Dept. of Speculation

Clarice Lispector – The Hour of the Star; A Breath of Life; The Foreign Legion

Lucy Wood – Diving Belles and Other Stories

Nawal El Saadawi – God Dies by the Nile

Kate Atkinson – Life After Life

Anna Gavalda – I Wish Someone Were Waiting For Me Somewhere

Helene Wecker – The Golem and the Jinni

Kiran Desai – Hullabaloo in the Guava Orchard

Karen Russell – St. Lucy’s Home for Girls Raised by Wolves

Chimamanda Ngozi Adichie – Half a Yellow Sun

Missy Marston – The Love Monster

Roxane Gay – Bad Feminist

Leslie Jamison – The Empathy Exams

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In an attempt not to bail on my “post regularly” resolution a mere 25 days after the resolution post, here’s an update on what I’ve been reading and how my read slow / read big project is coming along (spoiler alert: it’s not):

In January, I truly believed my work schedule for this semester would allow me to take things slow and read big. Boy was I wrong. After my last post, things suddenly picked up with editing/proofreading work, which is great, because that helps with another of the resolutions! However, my “leisurely” reading time has all but evaporated. I now only read for pleasure on the bus to and from work.

What I Read

Even though I’ve not been able to read “big” I’ve managed to squeeze in 4 shorter reads so far this year (not counting work reads). I just finished reading Mariko and Jillian Tamaki’s This One Summer (Groundwood), a YA graphic novel that won the Governor General’s Literary Award for Children’s Illustration. The artwork is beautiful and evocative, and the story is insightful. The graphic novel captures that difficult moment between childhood and teenage years when there is a dreadful “inbetween-ness” that sometimes separates kids from their parents and their friends, and sometimes even their own understanding of themselves and their own behaviour. Some of those problems stem from an awareness and a desire to appear more “grown-up” and deal with “grown-up” things, but not having all the information or the emotional capacity to cope with the fall out/consequences. The story deals with several complex and difficult issues with a light, non-preachy touch, and is compulsively readable. 4 stars.

Simon Rich’s collection of short stories, Spoiled Brats (Little, Brown), has some absolute gems in it, but I found more misses than hits in this collection. Rich is certainly clever, and I can see him developing into a great comic writer, but at this stage I found the comparisons to Woody Allen to be off the mark. However, there are 5 or 6 stories in this collection that had me in stitches: “Sell Out” and “Animals” and were among the best and show his potential for humour and depth. The less impressive ones were entertaining but without staying power. Worth picking up for “Sell Out” and “Animals” alone, but expect more and better from Rich as he develops over the next few years. 3.5 stars.

I was enamoured of Nell Zink’s The Wallcreeper (dorothy) for the first third of the book and a small section near the end. I loved the prose, but found myself tiring of the selfishness of the characters, and struggled to get through the last two thirds of the book mostly because of my own reactions to those characters and their lack of (or willful blindness to) self-awareness, and their narcissism. However, I will certainly be watching out for Nell Zink’s next book, because she is clearly a talent to be watched. 3.5 stars.

My first read of the year was also one that has already made my “Best Reads of the Year” list, which is a hell of a feat. Who Was Changed and Who Was Dead by Barbara Comyns (dorothy) is darkly hilarious, macabre, and moving. The Willoweed family, an aristocratic family on the decline, must deal with first a flood, and then a mysterious plague of madness and death that sweeps through the village. Both the events and their consequences change the family forever. My only problem was that I felt as though the ending rushed a bit (or perhaps the problem is that I just didn’t want the book to end). 4.5 stars.

Currently Reading: Eric Lundren’s The Facades (Overlook)

I’ve also decided to let you folks know what books I buy, because if I buy something, I’m confident I’ll get around to reading it someday, and I’m also confident that I will enjoy it enough to own it forever (because I only ever get rid of duplicates). So, here’s a new little segment:

Newly Shelved But Not Yet Read (Jan/Feb)

I am Radar – Reif Larsen (Penguin)

Welcome to Braggsville – T. Geronimo Johnson (William Morrow)

Get in Trouble – Kelly Link (Random House)

Blood-Drenched Beard – Daniel Galera (Hamish Hamilton)

And the Birds Rained Down – Jocelyne Saucier (Coach House)

Works – Edouard Leve (Dalkey Archive Press)

Fancy – Jeremy M. Davies (Ellipsis)

Of Things Gone Astray – Janina Matthewson (The Friday Project)

The Old Ways – Robert MacFarlane (Penguin)

Etta and Otto and Russell and James – Emma Hooper (Hamish Hamilton)

When Mystical Creatures Attack! – Kathleen Founds (U Iowa P)

The Land of Laughs – Jonathan Carroll (Viking)

Hotel Andromeda – Gabriel Josipovici (Carcanet)

Smoke Gets in Your Eyes – Caitlin Doughty (Norton)

Silver Screen Fiend – Patton Oswalt (Scribner)

Every Blade of Grass – Thomas Wharton (self published)

The Librarian – Mikhail Elizarov (Pushkin Press)

The Voyage – Murray Bail (MacLehose)

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making – Catherynne Valente (Square Fish)

The Narrow Road to the Deep North – Richard Flanagan (Knopf)

In other news, at this pace, I will have to declare bankruptcy by the end of the second quarter. Until I typed those all up, I did not realize there were that may new books in the apartment, because they are scattered in so many different rooms. Wow. Well, at least it’s not heroin, I guess.

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Reading Resolutions 2015

Happy New Year! Welcome to 2015! I took the month of January off from the blog (unannounced, apologies for that) to rest, regroup, and reconsider a number of things related to my reading life. So, in this first post of the new year, I thought I should identify some changes I am hoping to make this year, for my blog and my life. Here are four to begin with:

#1 – SLOW DOWN: I’m tired of rushing. I want to take time and savour some longer novels that I have been putting off because I knew they’d eat into my time for other books and that would impact my annual reading goal. So, I’m cutting my reading goal by more than half. I’m only aiming to read 20 books this year (assuming, of course, that I will read more, but not pressuring myself to do so). I also read for two of my day jobs, so it becomes more difficult to find time to read for fun, especially if I have to take work home. So instead of reading more, I’m hoping to read bigger and at a more leisurely pace.

*NOTE: Since starting the draft of this post, I discovered the tragic flaw in this cunning plan to read bigger: that 500 page book is just not convenient to read on my commute because it doesn’t fit in my purse, and it’s bloody heavy, and it’s awkward as arse. So, my new plan is to leave the big reads at home for bedtime reading, and carry a small book for commutes.

#2 – Write more blog posts more regularly and with more variety. I would like to post more about what I read (instead of just end of year recaps), make nerdy lists with commentary about books I’ve read, post short reviews, and write about bookish things that I find interesting or problematic. Not just to be negative for negativity’s sake, but to bring issues that I have with contemporary reading culture out into the light to perhaps encourage debate about them in a civil way. For example, the rush to speed market books on social media when what a book really needs is time to find its audience; the importance of the “critical” in literary criticism and reviewing; the superficial way sites deal with books reviews/recommendations (the dreaded listicle or capsule cheerleading post); the reasons I find the campaigns for diverse reading so sad (but of course, necessary), etc. So, in the coming months, there may be some changes happening with the blog content. With this, there is likely to be some growing pains, as I try to find ways to keep things organized. Please bear with me!

#3 – Boycott Amazon for book buying: I am tired of the big bad wolf and the negative way it has impacted the entire book industry (and I’m tired of the people who continue to support it when there are so many other viable options out there). I’ve always supported local independent bookstores first (and am happy to order books in and wait a few weeks), and only ever used the big bad when I had no other option for books I needed quickly or books that were not available in Canada. I’ve now decided that those are no longer good excuses, so I won’t be spending my dollars at Amazon or Book Depository anymore. Instead, I will be exercising patience and ordering books in from my local independent bookshop, Audrey’s Books, or All Lit Up for Canadian titles, and from Kenny’s Bookshop in Galway for my UK/Irish titles. I have also started ordering books directly from the publisher and have already received fantastic books from dorothy, a publishing project, and Pushkin Press. I know that Amazon is pervasive and has its fingers in many pies (Goodreads included). I do eventually want to extract my self from Amazon’s clutches entirely, but as someone who grew quite dependent on Goodreads for tracking books for my TBR list (that now has over 1400 titles on it), un-Goodreading that information will take a lot of time that I just don’t have right now. So, my TBR shall remain where it is, but my shopping is now Amazon free.

#4 – Begin seeking out a publishing job in earnest. I don’t often discuss my personal life on this blog, but since this goal is related to my reading life, and since this is a long-held dream of mine that perhaps I need a little push to chase, I shall post it here. I have spent the last couple of years as a freelance copy-editor and proofreader, and have been lucky enough to do work for two excellent independent publishers that publish a lot of fiction in translation. I have loved every minute of it. Now is the time to be brave and make a move toward finding a more permanent, full-time position (or at least a steady contract work) so that I can leave my current day job behind (which has been rewarding, but is not my calling). I am not a writer and harbor no delusions of becoming one, because I lack the talent. I have only ever wanted to be an editor, and now is the time to start down that path (well, 20 years ago would have been the time, but as a kid from the prairies, I didn’t know that was a career option!). So, by this time next year, with anyone out there who reads this to hold me to it, I will have set some plan in motion to get myself a job in publishing – whether that be going back to school for another Masters degree (in publishing this time), or finding an entry level job at a publishing house. Hooray! I’ve finally decided what I want to be when I grow up.

I have other resolutions in mind for the year, but I think four is quite enough to be cracking on with. I hope you all have set yourselves a reading resolution for the new year, whether it be to read more, read slower, read aloud to your kids, read a book by someone who doesn’t look like you, read a book translated from another language… Whatever it is, use your resolutions to open your horizons.

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