I always anticipate literary award season with a mixture of hope and dread. Each year, I hope to be surprised by what makes it to the short lists, but each year I am almost always disappointed. Canadian literature awards especially, like the Giller Prize (this year’s short list: http://www.scotiabankgillerprize.ca/finalists/2014-shortlist/) and the Governor General Awards (this year’s short list: http://www.cbc.ca/books/2014/10/governor-generals-literary-awards-2014-the-finalists.html), tend to stick to the “safe” titles: literary and “serious” and appealing to the broadest possible spectrum of readers. Rarely do the titles on literary award short lists strike me as challenging either literary conventions or challenging commonly held beliefs/perspectives. My usual response is a disappointed sigh, as the short lists seem to be more of the same old, same old. I don’t intend this as a disparagement of those who are lucky enough to make these short lists, as their talent is not what I am questioning. I am sure I would enjoy many of the books on these lists. I just tend to be less interested in reading them because they seem to fit conventional narrative patterns or subjects and I like to stretch my boundaries as a reader. I would like literary awards to take some risks in introducing readers to books beyond the conventional and familiar, in order that readers may expand their comfort zones. So, in response to this apathy I feel, I have decided to make a long list of books that I found interesting in terms of form or challenging in terms of subject matter, books that I feel made me a better reader. These books aren’t perfect. They have flaws, but their authors were brave enough to try something different (new or less familiar) in terms of form or genre and to look at subjects deemed uncomfortable or unworthy by others. Some have been recognized by larger prizes, but even in those cases, I feel they didn’t get the consideration they deserved by the reading public. Each book on this list gave me a thrill as I figured out what they were trying to do, and each one was emotionally affecting in its own way. Here is the inaugural long list for the Hamilton Award for Interesting Literature (HAIL – as in, all hail to me, queen of cool book recommendations):
The City of Bohane – Kevin Barry
Life After Life – Kate Atkinson
Love and the Mess We’re In – Stephen Marche
Faces in the Crowd – Valeria Luiselli
Observatory Mansions – Edward Carey
The Boys in the Trees – Mary Swan
So Many Ways to Begin – Jon McGregor
Selected Works of T.S. Spivet by Reif Larsen
The Logogryph – Thomas Wharton
Vernon God Little – DBC Pierre
Spilt Milk – Chico Buarque
The Manual of Detection – Jedediah Berry
A Girl is a Half-formed Thing – Eimear McBride (I’m still reading this one)
I am not able to offer a spectacular monetary prize in the tradition of those prizes I discuss here (I am a poor adjunct, after all), but I would like to offer my sincere appreciation to these authors for shaking up expectations and creating marvelous fictional worlds for readers to inhabit. I hope you will consider giving these writers your attention.
I must say that the Booker Prize short list (http://www.themanbookerprize.com/news/man-booker-prize-fiction-2014-shortlist-revealed) did come as something of a surprise to me this year, as it seems fresher and more interesting than many of their lists in the recent past. I often find at least one title of interest, but this year I am interested in reading most of the titles here. However, in the world of literary awards, I find that the most reliably interesting long and short lists are for the Dublin IMPAC Award (last year’s nominees http://www.impacdublinaward.ie/ won by Juan Gabriel Vasquez) and the Neustadt Prize (last year’s nominees http://neustadtprize.org/the-23rd-biennial-neustadt-international-prize-for-literature-nominees-announced/#.VDwOmfldVaQ won by Mia Couto). I want unfamiliar literary prize nominees, new writers whose bodies of work I can begin to explore. I want prize lists to challenge my comfort zone.